Wednesday, February 23, 2011

Veiling Beauty




I have been praying, wrestling with how to share with my daughter the honor it is to be a woman, and the grace with which we must carry the beauty that has been given us. The following is the answer my Love gave me.



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I had a dream.
In it, I saw the Mona Lisa wrentched from her wall in the Louvre, carried with rough and dirty hands and tossed into an old, beaten up cart, pulled by a filthy, half-starved horse. The cart was filled with dirty hay and flies were swarming around. Bits of manure clung to the hay and the wagon. Into this, the painting was carelessly flung, propped up with some straw behind it.

The driver of the cart whipped the horse, and it lurched forward. He traveled aimlessly up and down the streets of Paris pulling this priceless treasure. I could see that manure had somewhow gotten smeared on the canvas. I felt sick. What is going on?

As the cart passed through the streets, I could hear clueless people with untrained eyes commenting on the painting.

“What an ugly picture!”
“Look how long her nose is!”
“Ha! Her forehead is too large!”

One group of teenagers threw their sodas at the painting as it passed, soaking it with sticky liquid. The flies that had been buzzing around the straw and manure now landed on the painting and began to feast.

My heart began to squeeze tightly in my chest, and my throat was so constricted as I watched this that I could hardly breathe. Don’t these people realize what this is? What are they doing? This painting is irreplaceable! It’s priceless! Even if Leonardo da Vinci were still alive, he could never duplicate this work! This is not how you treat a great work of art! I groaned as I hung my head in despair.


Back before time, when my Love was creating, He planned to create two separate beings that would present a complete picture of Himself to the world. He created Adam first and then pronounced him “alone.” In Himself, my Love is never alone, but Adam was incomplete without Eve. Woman, when she was created, was not an addendum to creation, but a completion of it. Man was to be a picture of my Love’s strength, His might, His provision, His protection. Woman was to be a picture of His grace, His beauty, His tenderness, His care. My Love is neither male nor female, but he used both genders to create a complete picture of Who He is.

As the carriers of His beauty, we, as woman, have been demonized and victimized. Our beauty has been abused and misused. It has been undervalued and taken out of context. And what has been the church’s response? It has been to tell us to “dress modestly” and cover ourselves so that we don’t make men stumble into lust.

There are two problems I see with this party line that we have been fed by well-intending church members. The first problem is that this solution says that men are sexual beings with no control over their thoughts or actions. This paints men in a bad light, and it does not give them any credit for their ability to make wise and godly choices. The second problem that I see with this solution is that it paints women’s bodies to be temples of temptation and seduction. Again, this paints women in a bad light. Is that truly what our bodies are – temples of temptation and seduction?

Here’s how my Love reframed this for me --

When Moses came down from Mt. Sinai after spending time with the Lord, the Bible says that his face “shone” (Ex 34:35). Being in the presence of God made Moses radiant. Because of this radiance, Moses wore a veil over his face whenever he was not in the presence of God. Moses’ veil was not a covering for something shameful and sinful. Moses’ veil was to cover the radiance of God that dwelt on Him, for that radiance was not something that could be easily viewed by the common man – they neither understood nor appreciated it.

In a similar way, our beauty – the beauty of the female form – is a revelation of God and His beauty to the world.  While the male form is strong and powerful, it lacks the graceful curves of the female form that give it the right to be called “beautiful.” Every woman, no matter the size of her breasts or her hips, bears the graceful beauty of God in her form.

It is exactly this beauty that must be veiled. It is not intended for mass display. A work of art is housed and protected so that only the appreciative and loving eye can behold it. Our bodies are works of art – from the hands of a Master Sculptor. Each design is unique and beautiful, and each can never be replaced or duplicated.

But in so many ways we have allowed our bodies to become degraded and undervalued. Failing to see their worth, ourselves, we have put them on display and paraded them about. They have been critiqued by the masses, and we have accepted the critiques. They have been figuratively spat upon and dirtied, and we have accepted that, for we don’t understand their value and worth. We have been the driver of the cart, parading our priceless treasure around in filth for all to see and comment upon.

Oh, this is not how it should be! The beauty of our form has great value and worth! It is unique and priceless, and as such it should be veiled – out of honor and respect for the treasure that it is. The beauty of our form is to be reserved for one man – the one that God has deemed worthy to see and appreciate it, the one that has committed to us for life. Only he has the eye that can appreciate the artwork before him.

Our bodies are not commodities to be used and traded. They are not our possessions to do with as we like. They are unique expressions of God’s beauty to this world, and as such they are worthy of great honor and respect.

My prayer has become that He would redeem the glory of my form, and eventually my daughter's form, from the back of the filthy wagon. May I allow Him to continue to restore my body to its original condition and place. May I allow Him to bring worth back to it . . . and may I then veil it beautifully so that it may retain its worth.

Tuesday, February 22, 2011

Top 10 Oscar Looks

As I prepare for my personal Superbowl (the Oscars), I have spent considerable time thinking about why the Academy Awards are such a highlight to my year. The answer for me lies in the fact that, in America,  Hollywood represents our royalty. (The sadness of that statement can be saved for another blog, but the truth remains.) As the grand ball of our royalty, I expect an amount of class and beauty to be present in the attire of the court at the Oscars. I believe it should whisper of elegance and grace.

So, the hours pouring over gowns from ages past over the last week have birthed the following - my current top 10 favorite looks from the years past.


#10
Anne Hathaway in Georgio Armani,  2009
A newbie to the Oscars, she carried herself with grace and poise. The gown lays beautifully on her lithe frame while the shimmer,dark hair, and red lips bespeak elegance.




#9
Jessica Alba in Versace, 2006
Draped in gold, her skin just glows. Minimal jewelery and soft, piled curls complete her look as she sweeps across the red carpet.



#8
Sophia Loren, 1963
Ah, my heart breaks with the grace and beauty of this woman. She has been the epitome of class and exotic charm (with a hearty dash of sex-appeal) for half a century. Many are compared to her, but she is the original. The feathered collar, the upswept hair, the jeweled belt and small earrings . . . She presents as royalty.


#7
Penelope Cruz in Donna Karen, 2008
While this is quite a bit of dress, Penelope carries it off as no one (since Sophia Loren, really) but she possibly could. Her dark skin and dark hair warm the entire look, while the drop earrings and jeweled cuff sparkle on the dark canvas of the dress and her gorgeous skin. The dress wraps her in its regal red, sweeping up toward her face and highlighting her creamy chest, neck, and arms.

#6
Marissa Tomei in Versace, 2009
I could just stare and stare at this dress! It is absolutely amazing, full of lines and pleats and intricate folds. The silver color highlights the details of the dress, while not making it too overwhelming of a statement. Her unstructured hair and subtle jewelery are the perfect compliment to such a highly structured dress.


#5
Renee Zellweger in Carolina Herrera, 2004
I truly prefer Renee with this body shape/size, and this dress highlights her curves beautifully. The shade is a perfect pearl color that warms her skin, and her feminine jewelery add the right touch without overwhelming the look. The red lips, lined eyes, and darkened eyebrows enable her face to tastefully stand out, instead of being washed out with the white of the dress.



#4
Charlize Theron in Vera Wang, 2000
Another dress that I could just gaze and gaze at, this Vera Wang adds curves to Charlize's boyish frame. The halter neckline -- and especially the ruching in the back -- swings the eye in luscious lines while accentuating her broad shoulders and slender back. The pin-tucked hair tops the look in 1920's style.



#3
Grace Kelly in Edith Head, 1955
Grace Kelly is iconic, in and of herself, but so is her designer, Edith Head, and my list would not be complete without the mention of them both. Edith Head designed for both Grace Kelly as well as Audrey Hepburn for movie such as Rear Window, Sabrina, and Roman Holiday. Her looks, as much as her two leading ladies, bespeak class and royalty. This dress in its ice-blue sweeps around Kelly's frame and highlights her blond hair magnificently -- royalty in life as well as in Hollywood.



 #2
Diane Lane in Oscar de la Renta, 2003
I'm not quite sure how Diane Lane ended up as #2 (ahead of Grace Kelly!!). All I can say is that I am captivated by her in this gown. She is no longer part of the "young and sexy" class of Hollywood, but she has graduated to something far better. The golden fabric swaths her chest and creates enough mystery to draw our eye, but covers enough to encourage imagination. (Sexy is what is not seen.) The flowing feathers of the bottom half enable her to float over the carpet. Her softly structured hair seems the only reality in this ethereal vision.

#1
Kate Hudson in Versace, 2003
I don't know what else to say about this gown that hasn't already been said . . . the delicacy of the lace, the soft flow of the folds, the shimmer of her hair and the glow of her skin . . . sigh. Love this look. Hollywood royalty at its best.





Beauty

Earth's crammed with heaven,
and every common bush afire with God;
but only he who sees takes off his shoes;
the rest sit around and pluck blackberries.


- Elizabeth Barrett Browning
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My life has become a delightful journey of encountering my Love in the many places He hides. He has created me with a thirst for beauty and with a desire to reflect and create beauty, just as He does. Wherever I go, I find that the greatest life-giving moments are to be found when I am basking in or fostering beauty in my life or the lives of those around me.

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We don't have to go far to find the treasure we are seeking. There is beauty and goodness right where we are. And only when we can see the beauty and goodness that are close by can we recognize beauty and goodness on our travels far and wide. There are trees and flowers to enjoy, paintings and sculptures to admire; most of all there are people who smile, play, and show kindness and gentleness. They are all around us, to be recognized as free gifts to receive in gratitude.

Our temptation is to collect all the beauty and goodness surrounding us as helpful information we can use for our projects. But then we cannot enjoy it, and we soon find that we need a vacation to restore ourselves. Let's try to see the beauty and goodness in front of us before we go elsewhere to look for it.


- Henri Nouwen
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May my journey into His heart of beauty be a sweet taste in your mouth.